The filming. 

During the filming of our piece we had a few problems, we had difficulty with the lighting of the project, as we had not been able to practice the lighting it proved more difficult to properly light the set in the small space we had, as the group next to us had extended their set much larger than we could have anticipated while building our own set. 

We had briefed our cinematographers of the lighting requirements and the shot list, but unfortunately the time frame that we were allocated us did not give us enough time to organise a shooting rota between them. We started filming our close up's early as possible while the other group was filming to get ahead, so we could practice our shadow sequence, but unfortunately we didn't get all of our allocated time and we were left with only 10 minutes to get the shot with the character going through the wall. I switched onto camera as i wasn't sure if we were going to be able to finish the sequence. 

Our cinematographers were very helpful as they lit the set to my specifications and had a good input with the positioning of the camera, as one of the shots on my story board became impossible to realise so they were able to help me change the angle and in this instance it really lent to the overall aesthetic. While filming we got some really good shots, but we also had difficulty with some of them as we had to film so quickly we had a few continuity errors. But i'm not worrying too much as we aren't being assessed on this, our shadow shot fell pray to our lack of time, we managed to successfully do the shot in practice, but when we got round to actually filming one of the lights had been moved and we were unable to re position.

 We resolved to give this a go in post and we will be filming on green screen at a later date. For our main shot and our main special effect we were breaking through the wall to reveal green screen on the other side. We ended up doing this in two different ways, we shot the whole thing with just the green screen, and one from point of view with Kyle physically on the other side of the wall so we have a bit of variation when we come to edit and we can see what works best. On the whole i think the filming went quite well given the fact that we were cut short, but i would have liked to have had more time as after building the set we were extremely proud and would have liked to put it on our portfolio.

Kyle striking a pose, an example of the lighting.

Mike Dalton positioning the lights.

Cinematographer's doing a great job with the lighting and camera.

Mike Dalton overseeing the lights, Kyle Piercy getting into position.